
2 Simon Smart at Broughton Anglican College
18 Simon speaking at Nowra City Church
19 Simon at Arden Anglican School
21 Simon at Rouse Hill Anglican College
Marvels and misconceptions in the early childhood of modern science
Review: “The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science.” By Richard Holmes
Steven Micklethwaite
| Have you ever wondered why we have concepts such as the solitary
scientific genius, the 'Eureka moment', or the great public scientific
lecture? Or why the myth that science is an objective enterprise,
somehow independent of ideology and society, is so hard to shake?
Richard Holmes opens his book with the claim that such concepts were
cemented in our collective consciousness because of the remarkable
impact of British science on society, during the upheavals of the
Romantic period (roughly between 1768 and 1861). He goes on to weave
together a colourful collection of biographies of people who shaped the
early childhood of science with their discoveries and their
personalities. Some of these are household names (the naturalist Joseph
Banks and chemist Humphrey Davy), whereas others really ought to be
(the incredible astronomers William and Catherine Herschel). I warmed to this book from the opening paragraph, where Holmes describes his own wonder at a childhood chemistry experiment. And I continued to delight in the book’s enthusiasm and beautifully rounded descriptions of the characters he focuses on. This is no dry tome of sterile scientific discovery, nor is it really just a history of science. Here we have people vibrantly brought to life; their discoveries yes, but also their childhoods, relationships, personalities, beliefs, dreams and ambitions. As such, the book is able to touch on a broad expanse of themes like the early role of women in science, the ethical implications of scientific practice and discovery, the promotion by the state of scientific endeavours for political ends, or the interaction between science and faith (although in this area Holmes is less convincing). |
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| But one of the best themes of this book is the remarkably permeable
boundary that existed between the arts and science. The book achieves
this on many levels. We first get to know William and Catherine
Herschel as excellent musicians with William pursuing a professional
musical career before forging an even more successful one in astronomy
(entirely self-taught). Richard Holmes convincingly shows the
discipline and finesse required for music was one source for their
extraordinary success in astronomy. Then secondly, the text is replete with quotes from leading poets like Wordsworth, Coleridge, Keats, Percy Shelley and Byron, as they were inspired by new discoveries in chemistry, botany and astronomy. Indeed, Coleridge and Davy had an intriguingly close relationship, and Keats trained as a medical student. Mary Shelley wrote her great novel Frankenstein, partly animated by gruesome public demonstrations of the effects of electricity on corpses and partly invigorated by the lectures of Davy. Finally, the book itself contains many beautiful illustrations, and is constructed something like a play with a central narrative figure of Joseph Banks and (rather wittily) a 'cast list' at the back of the book. The one downside is that this book would have benefited greatly by being shorter. Chapters on the exploration of Africa by Mungo Park, or the invention of ballooning, were interesting but ultimately distracting. The book could have focused on Joseph Banks, the Herschels and Davy, and still covered all its major themes. These are the people most alive in the text anyway. |
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| These latter issues are remarkably contemporary in their relevance.
Scientists like Davy and Lawrence were captivated by the potential of
their science, but they had an impoverished grasp of the limits of that
knowledge; namely, science unlocks the processes and details of our
material world but it cannot prove that the material world is all that
exists. In fact, much of Davy's philosophy seems to have formed in his
childhood and not moved on, with his chemistry merely serving to
reinforce what he already believed. It is also interesting to find the
arguments of Lawrence rehashed now by outspoken personalities like
Daniel Dennett or Richard Dawkins, in justification of atheism. Yet, in contrast, we find leading scientists throughout history and up to the present day, who express a profound Christian faith, and testify as to how the wonder, and complexity of science serves only to reinforce that faith. Two good examples would be Francis Collins (the former head of the human genome project) and John Houghton (former chair of the Science Assessment for the Intergovernmental Panel on Climate Change), both of whom have written books on the subject. Refreshingly, Richard Holmes does allude to how Coleridge also saw no conflict between science, the arts or spiritual concepts of life. |
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| "The old, rigid debates and boundaries - science versus religion, science versus the arts, science versus traditional ethics - are no longer enough. We should be impatient with them. We need a wider, more generous, more imaginative perspective." |
| 15-Jan-2009 05:27 PM Mal Prior | |
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